The generation of a Necromorph begins with the Markers. And the infector variant has provided a key insight: implanting the material directly into the brain renders optimal results." -Dr. 1.1 Infection, Recombination, and Reanimationīiology Infection, Recombination, and Reanimation " These children of the Marker - Kyne's "Necromorphs" - have provided all the material I could ask for.The Necromorphs' motivations are to create a mass of necrotic flesh which can then be collected by the Markers during Convergence with the intention of creating another Brethren Moon, perpetuating their galaxy-wide cycle of extinction. The Necromorphs are controlled via the Markers by a group of entities known as the Brethren Moons, which are massive, highly intelligent beings created after a Convergence Event is initiated by a Marker. They are believed by some to be the heralds of humanity's ascension, but on a more practical level, they are the extremely dangerous result of exposure to the enigmatic devices known as the Markers. The sole purpose of all Necromorphs is to acquire more bodies to convert and spread the infection. The resulting creatures are extremely aggressive and will attack any uninfected organism on sight. At least if you are not going to use something original, try and do some justice to your source.Necromorphs are mutated corpses reshaped into horrific new forms by a recombinant extraterrestrial infection derived from a genetic code etched into and transmitted by the Markers. Roger Corman produced this innate rip-off and he should be ashamed. The film was a test of my endurance not to fall asleep or fast forward or turn the television off. The mutant goes through several excrutiating special effect stages including an adolescent stage where it resembles not a little a mini-Godzilla. Soon due to biological testing, a metamorphic mutant is created to fight disease only it ends up becoming a behemoth of evil trying to kill every person alive. What a complete bore! Master thespian Marc Singer stars as the space vigilante out to help a space station in the middle of cheesy special-effects land. Take Alien and leave out Sigourney Weaver and other credible actors, remove artful direction by Ridley Scott, eliminate wonderful special effects, extract suspense, banish a sensible, thought-provoking script, exile any kind of passion in the material and you have this mess of a film called Dead Space.
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